Healing With Sound
Quantum Bioholography, Solfeggio Frequencies and Regenetics
Ancient cultures understood the power sound has on the human body. Through chanting and drumming, ancient man used sacred music to balance physical, mental and spiritual energies.
While modern man has lost this knowledge of the power of sound, he is in the process of rediscovering it through new developments in physics. One such development is the idea that matter is energy encoded as holograms and that DNA functions as a holographic projector translating energy patterns into forms. Since these forms behave as acoustic waves, sound becomes a focal avenue for the writing and decoding of genetic information. The power of healing sound can be seen in recent theories of quantum bioholography, the recovery of the ancient Solfeggio Frequencies and the new discipline of Regenetics.
Quantum Holography
Wave genetics points to the dual nature of all living organisms, which are composed of a material body and an energy-information body. While classical genetics focuses on the known 2% of the DNA, wave genetics is open to the possibility that "junk DNA" contains the specific language of the genetic codes, seen as gene-holograms capable of a dynamic exchange of energy-information between the physical body and its energetic counterpart.
This exchange is replicated in three experiments conducted in Russia and Canada. Diabetic rats with a dysfunctional pancreas were exposed to healing wave information scanned from the pancreas and spleens of healthy newborn rats. Within weeks, 90% of the ailing rats were healed; their pancreatic glands were restored and their blood sugar levels were normalized.
Solfeggio Frequencies
If healing information was once accessed through sound and chants, might one be able to retrieve these healing codes from ancient music? Such was the question posed by Dave Hulse D.D. who, recognizing that resonance was a basic principle of health, began studying how sounds and frequencies, functioning like healing codes, could activate DNA.
He discovered that biochemists used the 528Hz frequency to repair DNA and learned that this specific frequency is located in the Ancient Solfeggio Scale, a 6-tone scale sequence that was used in Gregorian chants, specifically the medieval hymn to St. John the Baptist.
One feature that intrigued Hulse was the root vibrational numbers of these frequencies — 3, 6 and 9 — which he learned were the mystical markers connected to electromagnetic technologies and harmonics. He claimed that scientists like Nikola Tesla and musicians like Mozart and Hadyn worked with the concept of the inherent power of threes, sixes and nines.
Using tuning forks transcribed to the Solfreggio frequencies, Hulse has since developed his own soma-energetics practice of healing with sound.
Regenetics
Sol Luckman’s Regenetics healing modality is based also on the principle of wave genetics. With his partner Leigh, he discovered that each of the body’s auric or electromagnetic fields corresponds not only to a chakra but to a third-dimensional sound octave as well; this discovery strongly indicates that the human form is a three-dimensional holographic matrix connecting a vertical series of light responsive chakras with concentric electromagnetic fields that are acoustical or sonic in nature.
“At the genetic level,” writes Luckman, ”sound gives rise to light.” The human form is a quantum hologram that is itself a “translation” between sound and light holograms.
Luckman’s Regenetics Method works by resetting bioenergetic systems damaged by trauma and toxicity. It also stimulates bioenergy and creativity by switching on untapped areas of the human brain.
Man as hologram has made healing with sound through the Solfeggio Frequencies and Regenetics viable treatment options.
Source:
- Horowitz, Leonard and Dr.Joseph S. Puleo. Healing Codes for the Biological Apocalypse. Sandpoint,Idaho:Tetrahedron Publishing,2001.
- Miller, Richard Allan,Iona Miller and Burt Webb. "Quantum Bioholography: Review of the Field 1973-2002." Journal of Non-Locality and Remote Mental Interactions. Vol.1 Nr. 3, October 2002.
11th C Gregorian Chant
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